Others: Negative This work is not about myths, but about approaches to myth, from all of the major disciplines, including science, religion philosophy, literature, and psychology. The fate of the preternaturally beautiful Adonis is one of the main fables upon which Segal focuses.
Lists: …
Lowell Edmunds
1990 · 480 pages · 1 review
Others: PositiveSince the first edition of Approaches to Greek Myth as published in 1990, interest in Greek mythology has surged. There was no simple agreement on the subject of "myth" in classical antiquity, and there remains none today. Is myth a narrative or a performance? Can myth be separated from its context? What did myths mean to ancient Greeks and what do they mean today? Here, Lowell Edmunds brings together practitioners of eight of the most important contemporary approaches to the subject. Whether exploring myth from a historical, comparative, or theoretical perspective, each contributor lucidly describes a particular approach, applies it to one or more myths, and reflects on what the approach yields that others do not. Edmunds's new general and chapter-level introductions recontextualize these essays and also touch on recent developments in scholarship in the interpretation of Greek myth. -- from back cover.
Jordan B. Peterson
1999 · 564 pages · 1 review
Others: PositiveWhy have people from different cultures and eras formulated myths and stories with similar structures? What does this similarity tell us about the mind, morality, and structure of the world itself? From the author of 12 Rules for Life: An Antidote to Chaos comes a provocative hypothesis that explores the connection between what modern neuropsychology tells us about the brain and what rituals, myths, and religious stories have long narrated. A cutting-edge work that brings together neuropsychology, cognitive science, and Freudian and Jungian approaches to mythology and narrative, Maps of Meaning presents a rich theory that makes the wisdom and meaning of myth accessible to the critical modern mind.
Nnedi Okorafor
2015 · 104 pages · 10 reviews
Others: Leaning positiveAfro-futurist science fiction.
Frances Amelia Yates
1966 · 400 pages · 1 review
Others: PositiveThis unique and brilliant book is a history of human knowledge. Before the invention of printing, a trained memory was of vital importance. Based on a technique of impressing 'places' and 'images' on the mind, the ancient Greeks created an elaborate memory system which in turn was inherited by the Romans and passed into the European tradition, to be revived, in occult form, during the Renaissance. Frances Yates sheds light on Dante’s Divine Comedy, the form of the Shakespearian theatre and the history of ancient architecture; The Art of Memory is an invaluable contribution to aesthetics and psychology, and to the history of philosophy, of science and of literature.
Charles Dickens
1800 · 574 pages · 3 reviews
Others: MixedThe sensational bestselling story of Little Nell, the beautiful child thrown into a shadowy, terrifying world, seems to belong less to the history of the Victorian novel than to folklore, fairy tale, or myth. The sorrows of Nell and her grandfather are offset by Dickens's creation of a dazzling contemporary world inhabited by some of his most brilliantly drawn characters—the eloquent ne'er-do-well Dick Swiveller; the hungry maid known as the "Marchioness"; the mannish lawyer Sally Brass; Quilp's brow-beaten mother-in-law; and Quilp himself, the lustful, vengeful dwarf, whose demonic energy makes a vivid counterpoint to Nell's purity.
What made the match, strongest first
Ursula K. Le Guin
1969 · 304 pages · 13 reviews
Others: Mostly positiveComment by Kim Stanley Robinson, on The Guardian's website: The Left Hand of Darkness by Ursula K Le Guin (1969) One of my favorite novels is The Left Hand of Darkness, by Ursula K Le Guin. For more than 40 years I've been recommending this book to people who want to try science fiction for the first time, and it still serves very well for that. One of the things I like about it is how clearly it demonstrates that science fiction can have not only the usual virtues and pleasures of the novel, but also the startling and transformative power of the thought experiment. In this case, the thought experiment is quickly revealed: "The king was pregnant," the book tells us early on, and after that we learn more and more about this planet named Winter, stuck in an ice age, where the humans are most of the time neither male nor female, but with the potential to become either. The man from Earth investigating this situation has a lot to learn, and so do we; and we learn it in the course of a thrilling adventure story, including a great "crossing of the ice". Le Guin's language is clear and clean, and has within it both the anthropological mindset of her father Alfred Kroeber, and the poetry of stories as magical things that her mother Theodora Kroeber found in native American tales. This worldly wisdom applied to the romance of other planets, and to human nature at its deepest, is Le Guin's particular gift to us, and something science fiction will always be proud of. Try it and see – you will never think about people in quite the same way again.
What made the match, strongest first
Not a fanI just remember reading it and being so confused about what this book was actually trying to tell me and I thought it would be a much more general overview to the concept of myths around the world and it just really wasn't and it was really difficult to read as well
