Loved itquartet and autumn is about four colleagues who are all sort of about to retire who are all kind of lonely people it's truly beautiful
Quartet in Autumn (1977)
Others: Positive Shortlisted for the 1977 Booker Prize This is the story of four people in late middle-age - Edwin, Norman, Letty and Marcia - whose chief point of contact is that they work in the same office and they suffer the same problem - loneliness. Lovingly, poignantly, satirically and with much humour, Pym conducts us through their small lives and the facade they erect to defend themselves against the outside world. There is nevertheless an obstinate optimism in her characters, allowing them in their different ways to win through to a kind of hope. Barbara Pym's sensitive wit and artistry are at their most sparkling in "Quartet in Autumn". "An exquisite, even magnificent work of art" - Observer "'Barbara Pym has a sharp eye for the exact nuances of social behaviour" - The Times "The wit and style of a twentieth century Jane Austen" - Harpers & Queen "Barbara Pym's unpretentious, subtle, accomplished novels are for me the finest examples of high comedy to have appeared in England during the past 75 years ...spectacular" - Sunday Times "Very funny and keenly observant of the ridiculous as well as the pathetic in humanity" - Financial Times.
- ISBN:
- 9780006547808
- Length:
- 218 pages
Lists: …
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1815 · 454 pages · 13 reviews
Others: Overwhelmingly positiveEmma, by Jane Austen, is a novel about youthful hubris and the perils of misconstrued romance. The novel was first published in December 1815. As in her other novels, Austen explores the concerns and difficulties of genteel women living in Georgian-Regency England; she also creates a lively comedy of manners among her characters. Before she began the novel, Austen wrote, "I am going to take a heroine whom no one but myself will much like." In the very first sentence she introduces the title character as "Emma Woodhouse, handsome, clever, and rich." Emma, however, is also rather spoiled, headstrong, and self-satisfied; she greatly overestimates her own matchmaking abilities; she is blind to the dangers of meddling in other people's lives; and her imagination and perceptions often lead her astray.
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John Mullan
2013 · 3 reviews
Others: PositiveWhich important Austen characters never speak? Is there any sex in Austen? What do the characters call one another, and why? What are the right and wrong ways to propose marriage? In What Matters in Jane Austen?, John Mullan shows that we can best appreciate Austen's brilliance by looking at the intriguing quirks and intricacies of her fiction. Asking and answering some very specific questions about what goes on in her novels, he reveals the inner workings of their greatness. In twenty short chapters, each of which explores a question prompted by Austens novels, Mullan illuminates the themes that matter most in her beloved fiction. Readers will discover when Austen's characters had their meals and what shops they went to; how vicars got good livings; and how wealth was inherited. What Matters in Jane Austen? illuminates the rituals and conventions of her fictional world in order to reveal her technical virtuosity and daring as a novelist. It uses telling passages from Austen's letters and details from her own life to explain episodes in her novels: readers will find out, for example, what novels she read, how much money she had to live on, and what she saw at the theater. Written with flair and based on a lifetime's study, What Matters in Jane Austen? will allow readers to appreciate Jane Austen's work in greater depth than ever before. - Publisher.
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Similar descriptions52%Books and Things loved bothPersonalize your recommendations48%Bookworm
Lucy Mangan
2018 · 336 pages · 1 review
Others: PositiveIn Bookworm, Lucy revisits her childhood reading with wit, love and gratitude. She relives our best-beloved books, their extraordinary creators, and looks at the thousand subtle ways they shape our lives. She also disinters a few forgotten treasures to inspire the next generation of bookworms and set them on their way.
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Books and Things loved both51%Similar descriptionsPersonalize your recommendations49%Jane Austen at home
Lucy Worsley
2017 · 387 pages · 6 reviews
Others: Overwhelmingly positive""Jane Austen at Home offers a fascinating look at Jane Austen's world through the lens of the homes in which she lived and worked throughout her life. The result is a refreshingly unique perspective on Austen and her work and a beautifully nuanced exploration of gender, creativity, and domesticity." - Amanda Foreman, bestselling author of Georgianna, Duchess of Devonshire. On the eve of the two hundredth anniversary of Jane Austen's death, take a trip back to her world and the many places she lived as historian Lucy Worsley visits Austen's childhood home, her schools, her holiday accommodations, the houses - both grand and small - of the relations upon whom she was dependent, and the home she shared with her mother and sister towards the end of her life. In places like Steventon Parsonage, Godmersham Park, Chawton House and a small rented house in Winchester, Worsley discovers a Jane Austen very different from the one who famously lived a 'life without incident'. Worsley examines the rooms, spaces and possessions which mattered to her, and the varying ways in which homes are used in her novels as both places of pleasure and as prisons. She shows readers a passionate Jane Austen who fought for her freedom, a woman who had at least five marriage prospects, but - in the end - a woman who refused to settle for anything less than Mr. Darcy. Illustrated with two sections of color plates, Lucy Worsley's Jane Austen at Home is a richly entertaining and illuminating new book about one of the world's favorite novelists and one of the subjects she returned to over and over in her unforgettable novels: home"--|cProvided by publisher.
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Books and Things loved both53%Similar descriptionsPersonalize your recommendations47%A dance to the music of time
Anthony Powell
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Others: PositiveAnthony Powell’s universally acclaimed epic encompasses a four-volume panorama of twentieth century London. Hailed by Time as "brilliant literary comedy as well as a brilliant sketch of the times," A Dance to the Music of Time opens just after World War I. Amid the fever of the 1920s and the first chill of the 1930s, Nick Jenkins and his friends confront sex, society, business, and art. In the second volume they move to London in a whirl of marriage and adulteries, fashions and frivolities, personal triumphs and failures. These books "provide an unsurpassed picture, at once gay and melancholy, of social and artistic life in Britain between the wars" (Arthur Schlesinger, Jr.). The third volume follows Nick into army life and evokes London during the blitz. In the climactic final volume, England has won the war and must now count the losses. In this third volume of A Dance to the Music of Time, we again meet Widmerpool, doggedly rising in rank; Jenkins, shifted from one dismal army post to another; Stringham, heroically emerging from alcoholism; Templer, still on his eternal sexual quest. Here, too, we are introduced to Pamela Flitton, one of the most beautiful and dangerous women in modern fiction. Wickedly barbed in its wit, uncanny in its seismographic recording of human emotions and social currents, this saga stands as an unsurpassed rendering of England’s finest yet most costly hour.
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Sarah Waters
2006 · 493 pages · 6 reviews
Others: Overwhelmingly positiveA novel of relationships set in 1940s London that brims with vivid historical detail, thrilling coincidences, and psychological complexity, by the author of the Booker Prize finalist Fingersmith. Sarah Waters, whose works set in Victorian England have awards and acclaim and have reinvigorated the genres of both historical and lesbian fiction, returns with novel that marks a departure from nineteenth century and a spectacular leap forward in the career of this masterful storyteller. Moving back through the 1940s, through air raids, blacked-out streets, illicit liasons, and sexual adventure, to end with its beginning in 1941, The Night Watch tells the story of Londoners: three women and a young man with a past-whose lives, and those of their friends and lovers, connect in ways that are surprising not always known to them. In wartime London, the women work-as ambulance drivers, ministry clerks, and building inspectors. There are feats of heroism, epic and quotidian, and tragedies both enormous and personal, but the emotional interiors of her characters that Waters captures with absolute and intimacy. Waters describes with perfect knowingness the taut composure of a rescue worker in the aftermath of a bombing, the idle longing of a young woman her soldier lover, the peculiar thrill convict watching the sky ignite through the bars on his window, the hunger a woman stalking the streets for encounter, and the panic of another who sees her love affair coming end. At the same time, Waters is absolute control of a narrative that offers up subtle surprises and exquisite twists, even as it depicts the impact grand historical event on individual lives. Tender, tragic, and beautifully poignant, The Night Watch is a towering achievement that confirms its author as "one of the best storytellers alive today" (Independent on Sunday).
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