Building My Perfect Book 🧠📚

A short stay in hell, really interesting concept.

There's like some metamorphosis like animals and people which I barely ever love. but I loved it in Blancy Roa and in this one

Or I could see her doing something like Cackle by Rachel Harrison. I didn't love that one. I just didn't think the pace of it really worked for me, but the concept works for me.

And these two are actually ones that I love. But Our Wives Under the Sea and Chlorine are things that are heavy in metaphor just like she writes, but are based around the water.

I have been reading a selection of books where a main character like ends up inside of a book so many times and it's never good. I just want the concept of fang fiction or the concept of novel, a love story to be written by Emily Henry.

Don't get me wrong, I liked Fantastic Land, but this is just like a group of individuals.

Hyde was such a good concept, but like you spent such little time with each character that it wasn't really about getting to know everybody and then it went off in like a supernaturally weird way.

This author I have adored two books from and that's Alexis Henderson. The Year of the Witching and House of Hunger are so good.

Like House of Leaves is one of my favorites.

I also loved the husbands. In this one, one day this woman comes home, a man is in her attic or comes out of her attic and is like, "I'm your husband."

I Crawl Through It is another good example.

The same way that Ian Reed makes you feel trapped in a character's mind with We Spread, which I loved, or I'm thinking of ending things, which I didn't.

That one only got a three. I don't know if I can pinpoint exactly what it was, but it just didn't have the writing that I needed to carry the story.

I really loved how Night of the Mannequins was done.

I didn't think that the banter was good. I didn't think that the insta love was good. They wanted to be grumpy sunshine.

I loved it. I loved doing Out of Order. I also loved the husbands.

And these two are actually ones that I love. But Our Wives Under the Sea and Chlorine are things that are heavy in metaphor just like she writes, but are based around the water.

Pureie I love.

I didn't end up liking Reluctant Immortals, which is like a character from Dracula and a character from Jane Air and like what if they went on this road trip, but I also just like don't really like road trip stories, so that's on me.

Maybe one that I could think of is Shark Hart: A Love Story, which I know so many people love. That one was just okay. It's about this man who is turning into a shark.

I didn't love the death of Jane Lawrence. It just got like kind of weirdly magical, but the concept of it I think in Alexis Henderson's hands I'd be into.

I love the Oienda.

The Midnight Library, a woman has the opportunity to live like all of the different ways that her life could have gone. And I know a lot of people didn't love that one. I loved it.

There are so many parallels with the things in here with how I feel about The Raven Boys, and I am always looking for The Raven Boys but adult.

I know a lot of people love The 10,000 Doors of January. There's a lot of issues that I had with it. I think like just the representation of it felt a little bit weird.

In The Way to the Stars, we have these two girls who are dealing with difficult things and they are each other's safe space.

in the Wicker King, we have two boys dealing with difficult things and they are each other's safe space, but they're also like messy.

The same way that Ian Reed makes you feel trapped in a character's mind with We Spread, which I loved

This one was also about sisters, and they do a lot of things that feel like fairy tales, and I just love how grounded they are.

This author I have adored two books from and that's Alexis Henderson. The Year of the Witching and House of Hunger are so good.