Talking About Writing: Dialogue ( a dialogue about dialogue... sorry)

and i mean like a great example of all of this sort of stuff is pygmalion george bernard shaw and henry higgins and eliza doolittle and looking at how you know one the rain in spain falls mainly on the plane and all of these sort of elocution lessons about you know do you drop an itch or not drop an itch and play playing with that because of the perception of intelligence and education associated with speech

strider in the fellowship of the ring yes i'm sitting in the back of the bar looking strange and sinister with my pipe and my hood down over my face and now i'm just gonna walk up to this guy and go right gandalf sent me let's go lads and they're gonna go oh okay

you know martin amos did it with times arrow changing narrative time in order to explicitly challenge reading assumptions about character about how we perceive character how we perceive the world