God of Endings (2023)

Others: Overwhelmingly positive

Collette LeSange has been hiding a dark secret: She is immortal. In 1834, Collette’s grandfather granted her the gift of eternal life and since then, she has endured centuries of turmoil and heartache. Now, almost 150 years later, Collette is a lonely artist running an elite fine art school for children in upstate New York. But her life is suddenly upended by the arrival of a gifted child from a troubled home, the return of a stalking presence from her past, and her own mysteriously growing hunger for blood.

ISBN:: 9781250856760
Length:: 480 pages

Genres: fantasy, thriller

Lists: …

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Others: Overwhelmingly positive
On a creepy island where everyone has a strange obsession with the year 1994, a newcomer arrives, hoping to learn the truth about her son's death--but finds herself pulled deeper and deeper into the bizarrely insular community and their complicated rules... Clifford Island. When Willow Stone finds these words written on the floor of her deceased son's bedroom, she's perplexed. She's never heard of it before, but soon learns it's a tiny island off of Wisconsin's Door County peninsula, 200 miles from Willow's home. Why would her son write this on his floor? Determined to find answers, Willow sets out for the island. After a few days on Clifford, Willow realizes: this place is not normal. Everyone seems to be stuck in a particular day in 1994: they wear outdated clothing, avoid modern technology, and, perhaps most mystifyingly, watch the OJ Simpson car chase every evening. When she asks questions, people are evasive, but she learns one thing: close your curtains at night. High schooler Lily Becker has lived on Clifford her entire life, and she is sick of the island's twisted mythology and adhering to the rules. She's been to the mainland, and everyone is normal there, so why is Clifford so weird? Lily is determined to prove that the islanders' beliefs are a sham. But are they? Five weeks after Willow arrives on the island, she disappears. Willow's brother Harper comes to Clifford searching for his sister, and when he learns the truth--that this island is far more sinister than anyone could have imagined--he is determined to blow the whole thing open. If he can get out alive...
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Bless Your Heart
Lindy Ryan
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Others: Positive
Rise and shine. The Evans women have some undead to kill. It’s 1999 in Southeast Texas and the Evans women, owners of the only funeral parlor in town, are keeping steady with…normal business. The dead die, you bury them. End of story. That’s how Ducey Evans has done it for the last eighty years, and her progeny―Lenore the experimenter and Grace, Lenore’s soft-hearted daughter, have run Evans Funeral Parlor for the last fifteen years without drama. Ever since That Godawful Mess that left two bodies in the ground and Grace raising her infant daughter Luna, alone. But when town gossip Mina Jean Murphy’s body is brought in for a regular burial and she rises from the dead instead, it’s clear that the Strigoi―the original vampire―are back. And the Evans women are the ones who need to fight back to protect their town. As more folks in town turn up dead and Deputy Roger Taylor begins asking way too many questions, Ducey, Lenore, Grace, and now Luna, must take up their blades and figure out who is behind the Strigoi’s return. As the saying goes, what rises up, must go back down. But as unspoken secrets and revelations spill from the past into the present, the Evans family must face that sometimes, the dead aren’t the only things you want to keep buried. A crackling mystery-horror novel with big-hearted characters and Southern charm with a bite, Bless Your Heart is a gasp-worthy delight from start to finish.
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Vampires of el Norte
Isabel Cañas
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Pallbearers Club
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Others: Leaning positive
10 hours 46 minutes A cleverly voiced psychological thriller about an unforgettable - and unsettling - friendship, with blood-chilling twists, crackling wit, and a thrumming pulse in its veins - from the nationally best-selling author of 'The Cabin at the End of the World' and 'Survivor Song'. What if the coolest girl you’ve ever met decided to be your friend? Art Barbara was so not cool. He was a seventeen-year-old high school loner in the late 1980s who listened to hair metal, had to wear a monstrous back-brace at night for his scoliosis, and started an extracurricular club for volunteer pallbearers at poorly attended funerals. But his new friend thought the Pallbearers’ Club was cool. And she brought along her Polaroid camera to take pictures of the corpses. Okay, that part was a little weird. So was her obsessive knowledge of a notorious bit of New England folklore that involved digging up the dead. And there were other strange things – terrifying things – that happened when she was around, usually at night. But she was his friend, so it was okay, right? Decades later, Art tries to make sense of it all by writing 'The Pallbearers’ Club: A Memoir'. But somehow this friend got her hands on the manuscript and, well, she has some issues with it. And now she’s making cuts. Seamlessly blurring the lines between fiction and memory, the supernatural and the mundane, 'THE PALLBEARERS CLUB' is an immersive, suspenseful portrait of an unforgettable and unsettling friendship. ©2022 Paul Tremblay (P)2022 HarperCollins Publishers
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Monsters
Claire Dederer
2023 · 1 review
Others: Mixed
From the author of the New York Times best seller Poser and the acclaimed memoir Love and Trouble, a passionate, provocative, blisteringly smart interrogation of how we make and experience art in the age of #MeToo, and of the link between genius and monstrosity. In this unflinching, deeply personal book that expands on her instantly viral Paris Review essay, What Do We Do with the Art of Monstrous Men? Claire Dederer asks: Can we love the work of Hemingway, Polanski, Naipaul, Miles Davis, or Picasso? Should we love it? Does genius deserve special dispensation? Is male monstrosity the same as female monstrosity? Does art have a mandate to depict the darker elements of the psyche? And what happens if the artist stares too long into the abyss? She explores the audience's relationship with artists from Woody Allen to Michael Jackson, asking: How do we balance our undeniable sense of moral outrage with our equally undeniable love of the work? In a more troubling vein, she wonders if an artist needs to be a monster in order to create something great. And if an artist is also a mother, does one identity inexorably, and fatally, interrupt the other? Highly topical, morally wise, honest to the core, Monsters is certain to incite a conversation about whether and how we can separate artists from their art.
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