Bestiary
BestiaryK-Ming Chang

Bestiary (2020)

K-Ming Chang

Creators: Disliked

"One evening, Ma tells Daughter a story about a tiger spirit who lived in a woman's body, named Hu Gu Po. She hungered to eat children, especially their toes. Soon afterwards, Daughter awakes with a tiger tail. And more mysterious events follow: Holes in the backyard spit up letters penned by her grandmother; a visiting aunt leaves red on everything she touches; another aunt arrives with eels in her belly. All the while, Daughter is falling for her neighbor, a girl named Ben with mysterious powers of her own. As the two young lovers translate the grandmother's letters, Daughter begins to understand that each woman in her family embodies an old Taiwanese myth--and that she will have to bring her family's secrets to light in order to change their destiny. With a poetic voice of crackling electricity, K Ming Chang is an explosive young writer who combines the wit and fabulism of Helen Oyeyemi with the magical realist aesthetic of Maxine Hong Kingston. Tracing one family's history from Mainland China to Taiwan, from Arkansas to California, Bestiary is a novel of migration, queer lineages, and womanhood"--

ISBN:
9781787301856
Length:
272 pages

Lists: …

Reviews1

Disliked

The next one is, and I never know how you say this 'Bestiary' by K Ming Chang, I borrowed this from the library and literally within two pages I was like, this isn't for me. What I don't like, is when I can tell the author is trying to make me disgusted by people when they're trying to make me feel disgusted by like normal bodily functions or like disgusted by somebody's like, physicality.

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Chang Yu-KoVictims all describe hearing a voice before they die gruesomely. Sometimes it’s singing an old Taiwanese song, sometimes it’s in Japanese, and sometimes it’s an anguished call for help from a loved one. Can Wu Shih-Sheng, a degenerate taxi driver in Taipei, hunt down the source of the voice that killed his wife before he becomes the next victim? Whisper is a plot-driven, Taiwanese horror story. As well as being a chilling read, Chang Yu-Ko cleverly combines Taiwanese folklore, the Japanese occupation of Taiwan, and the long-term mistreatment of the country’s aboriginal people into a story of how the past can still kill.

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